Newtek TriCaster 8000 User Manual Page 257
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- Table of contents
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TriCaster provide easy access to anaglyphic technology by means of the Anaglyph
effect. The effect combines 2 video inputs selected in an M/E. 3D output can then be
switched easily like any other source. No complex configuration steps or tricky
control surface operations are required.
PHOTOSHOP BLEND
The effects in the Photoshop Blend folder apply well-known
blending modes to the A layer in the M/E as these are blend with
the B layer.
The resulting compositions can serve many purposes, such as
adding animated ‘bokeh’ style overlays using DDR clips or adding
interest to still overlays such as vignettes or titles.
14.2.5 VIRTUAL SETS
We’ve considered TriCaster’s Default and Utility effects. Let’s move on to a more
glamorous species, the virtual set, presented in TriCaster as LiveSet™ effects.
FIGURE 236
FIGURE 237
LiveSet is one of TriCaster’s most powerful tools, and can dramatically enhance a
production.
FIGURE 235
- CONTENTS Chapter 1 3
- ABOUT THIS MANUAL Chapter 1 19
- INTRODUCTION Chapter 2 21
- SECTION 2.3 STARTUP SCREEN 22
- Monitoring 23
- Dashboard 23
- Live Control 23
- Tabbed Modules 23
- SECTION 2.5 FEATURES 24
- FIGURE 3 27
- VIDEO LAYERS AND TRANSITIONS 28
- DSK CHANNELS 29
- FIGURE 8 (TRICASTER 8000) 30
- FIGURE 9 32
- EXPORTING CONTENT 33
- FIGURE 10 34
- SETTING UP Chapter 3 37
- WINDOWS® 38
- FIGURE 12 39
- NHANCED SUPPORT (PROTEK) 41
- FIGURE 13 – TRICASTER 8000 42
- FIGURE 14 - TRICASTER 860 42
- FIGURE 15 – TRICASTER 460 43
- FIGURE 16 – TRICASTER 410 43
- FIGURE 17 – TRICASTER MINI 43
- TriCaster Mini 48
- SECTION 3.9 TALLY LIGHTS 51
- THE HOME PAGE 52
- HE SESSION PAGE 53
- FIGURE 20 53
- THE LIVE DESKTOP 54
- FIGURE 23 56
- FIGURE 25 57
- SECTION 3.13 CONFIGURE AUDIO 59
- FIGURE 28 60
- FIGURE 29 60
- UDIO HEADROOM 61
- FIGURE 30 61
- FIGURE 31 62
- FIGURE 32 63
- SECTION 3.16 NETWORKING 64
- FIGURE 34 66
- FIGURE 35 66
- FIGURE 36 67
- FIGURE 37 68
- FIGURE 38 68
- SECTION 4.4 MONITORING 69
- FIGURE 40 70
- FIGURE 41 70
- FIGURE 42 71
- FIGURE 43 72
- FIGURE 44 72
- FIGURE 45 73
- SECTION 4.5 AUDIO MIXER 74
- FIGURE 47 75
- FIGURE 48 76
- OLLOW VIDEO OPTIONS 78
- ® output, web pages 79
- FIGURE 49 80
- SECTION 4.7 LIVE SWITCHING 81
- VIDEO LAYERS 82
- Dashboard) 83
- CONFIGURING CAMERAS 83
- DSK SOURCES 84
- FIGURE 53 85
- FIGURE 54 86
- TRANSITIONS 87
- FIGURE 56 87
- FIGURE 55 87
- FIGURE 57 88
- FIGURE 58 89
- FIGURE 59 (BEFORE) 89
- LOOK AHEAD PREVIEW 90
- SECTION 4.8 RECORD AND GRAB 91
- FIGURE 62 92
- FIGURE 63 92
- FIGURE 64 93
- FIGURE 65 94
- SECTION 4.9 MEDIA PLAYERS 95
- TRANSPORT CONTROLS 96
- TRIMMING AND SCRUBBING 97
- SINGLE AND AUTOPLAY 98
- MEM SLOTS 99
- XPLORING AUTOPLAY AND SINGLE 101
- FIGURE 72 103
- FIGURE 73 104
- FIGURE 74 105
- FIGURE 75 105
- FIGURE 76 106
- FIGURE 77 107
- SECTION 4.11 MORE ABOUT M/ES 108
- FIGURE 79 109
- FIGURE 81 111
- FIGURE 82 112
- FIGURE 83 113
- SECTION 4.12 BUFFERS 114
- FIGURE 85 115
- FIGURE 86 115
- SECTION 4.13 STREAMING 116
- FIGURE 87 117
- FIGURE 88 117
- FIGURE 89 118
- FIGURE 90 118
- THE STARTUP SCREEN Chapter 5 123
- SECTION 5.2 THE HOME PAGE 126
- SESSION NAME 127
- TEMPLATE 127
- FIGURE 95 128
- CONTEXT MENU 129
- ESTORE SESSION BACKUP 130
- FIGURE 98 130
- PENING A SESSION 130
- ADMINISTRATOR MODE 131
- SYSTEM UTILITIES 132
- FIGURE 100 133
- SETTINGS 134
- SHUTDOWN 135
- SECTION 5.3 THE SESSION PAGE 136
- FIGURE 104 137
- FIGURE 105 137
- FIGURE 106 138
- FIGURE 107 139
- IMPORT MEDIA 140
- EXPORT MEDIA 141
- FIGURE 111 142
- ACKUP SESSION 144
- SECTION 6.2 OVERVIEW 148
- FIGURE 113 150
- FIGURE 114 151
- FIGURE 115 152
- THE DASHBOARD Chapter 7 153
- SECTION 7.1 FILE MENU 154
- SECTION 7.2 OPTIONS MENU 154
- SECTION 7.3 HELP 156
- I/O CONFIGURATION Chapter 8 159
- OUTPUTS 1 AND 2 161
- FIGURE 124 162
- LPHA MATTE 163
- FIGURE 125 163
- ENERAL NOTES 164
- FIGURE 126 165
- ISPLAY OUTPUTS 165
- FIGURE 127 165
- LCD screen 166
- REFERENCE TYPE 168
- FIGURE 130 169
- 480/30i (SDI) 172
- FIGURE 133 (TRICASTER 8000) 174
- FIGURE 132 174
- FIGURE 134 175
- FIGURE 135 176
- FIGURE 136 177
- FIGURE 138 179
- ADJUSTING TOLERANCE 180
- SMOOTHNESS 181
- LIMIT TO REGION 181
- FIGURE 143 182
- FIGURE 144 182
- SECTION 8.3 NETWORK INPUTS 183
- Windows® Desktop 184
- FIGURE 148 185
- FIGURE 149 185
- FIGURE 150 185
- SECTION 9.1 SWITCHER ROWS 187
- TriCaster 8000 only 189
- • Program 189
- • Preview 189
- SECTION 9.3 TRANSITIONS 190
- ONFIGURING TRANSITIONS 191
- FIGURE 155 191
- NIMATION STORE TRANSITIONS 192
- FIGURE 156 192
- FIGURE 157 192
- DSK POSITIONING 193
- FIGURE 160 194
- FIGURE 161 194
- FOLLOW TRACKER 195
- DSK TRANSPARENCY 195
- BACKGROUND TRANSITION 196
- TRANSITION DELEGATES 197
- FIGURE 167 199
- AKE AND AUTO 199
- FIGURE 168 200
- FIGURE 169 201
- FIGURE 170 201
- VIEWPORT OPTIONS 202
- FIGURE 174 203
- FIGURE 173 203
- FIGURE 175 204
- FIGURE 176 204
- SECTION 10.2 PROGRAM MONITOR 205
- FIGURE 178 206
- M/E MONITORS AND PREVIEW 207
- SECTION 10.4 SCOPES 208
- FIGURE 182 209
- FIGURE 183 211
- SECTION 11.2 SHARED FEATURES 212
- FIGURE 185 213
- FILE OPERATIONS 214
- ISPLAY NAME 215
- UDIO LEVEL 215
- SE FRAME AS THUMBNAIL 215
- FIGURE 186 215
- FIGURE 187 216
- FIGURE 188 216
- ALPHA CHANNEL SUPPORT 217
- 11.2.2 MEDIA BROWSER 217
- OCATION LIST 218
- ESSION RECORDINGS AND GRABS 218
- FIGURE 190 218
- FILE PANE 219
- FILE FILTERS 219
- FILE CONTEXT MENU 219
- FIGURE 193 220
- IME DISPLAY 220
- FIGURE 195 220
- FIGURE 194 220
- RANSPORT CONTROLS 221
- UTOPLAY 221
- FIGURE 196 221
- FIGURE 197 222
- PREVIEWING MEM SLOTS 223
- FIGURE 198 225
- FIGURE 199 225
- SAVE AND DUPLICATE 226
- STAND-IN IMAGES 226
- SECTION 11.4 BUFFERS 227
- FIGURE 203 229
- FIGURE 204 229
- FIGURE 205 229
- FIGURE 206 230
- FIGURE 207 231
- FIGURE 208 231
- FIGURE 209 234
- PTZ CONTROL Chapter 12 235
- FIGURE 211 236
- FIGURE 212 236
- CAMERA SETTINGS 237
- LIVEMATTE Chapter 13 239
- SECTION 13.1 CHROMAKEYING 240
- SECTION 13.2 MATTE 240
- FIGURE 217 241
- SECTION 13.4 COMPOSITING 243
- SECTION 13.5 FINE TUNING 243
- SECTION 14.1 OVERVIEW 247
- SECTION 14.2 M/E MODES 248
- FIGURE 222 249
- FIGURE 224 250
- FIGURE 225 250
- FIGURE 226 251
- FIGURE 227 252
- FIGURE 228 253
- UTILITIES 254
- FIGURE 233 255
- FIGURE 231 255
- FIGURE 232 255
- FIGURE 234 256
- PHOTOSHOP BLEND 257
- FIGURE 238 258
- NPUT POSITION 259
- HOTS AND ANIMATION 259
- FIGURE 239 259
- EFFECT PRESET EDITOR 260
- THE T-BAR 261
- FIGURE 245 262
- FIGURE 244 262
- SECTION 14.3 KEY CHANNELS 263
- AUDIO Chapter 15 265
- SECTION 15.2 HEADPHONES 266
- FIGURE 250 267
- FIGURE 251 267
- SECTION 15.5 COMMON CONTROLS 268
- FIGURE 253 269
- AUDITIONING AN AUDIO SOURCE 270
- FIGURE 255 271
- FIGURE 256 272
- FIGURE 257 273
- FIGURE 258 273
- BUSSES AND OUTPUTS 274
- FIGURE 260 276
- FIGURE 261 276
- SUB-MIXES AND ‘MIX MINUS’ 277
- EQUALIZER 278
- COMPRESSOR LIMITER 279
- THRESHOLD 280
- RELEASE 280
- FIGURE 263 281
- SECTION 15.9 MEM SLOT BINS 283
- NETWORK INPUTS Chapter 16 285
- SECTION 16.1 IVGA 286
- FIGURE 266 287
- FIGURE 267 287
- FIGURE 268 288
- THE CONTROL PANEL 289
- DESTINATION 289
- ECORDING 290
- UALITY (CONFIGURE) 290
- FIGURE 271 290
- VIDEO SOURCE 291
- UDIO SOURCE 292
- SEND/RECORD/STOP 293
- SECTION 16.2 AIRPLAY 294
- SECTION 16.3 LIVETEXT 295
- SECTION 16.4 3PLAY™ 296
- SECTION 16.5 NETWORK VIDEO 296
- FIGURE 280 297
- FIGURE 281 297
- FIGURE 282 297
- CONTROL 299
- SECTION 17.1 SYSTEM MACROS 300
- RECORDING MACROS 301
- SECTION 17.3 MANAGING MACROS 302
- FIGURE 290 303
- FIGURE 291 304
- FIGURE 292 304
- FIGURE 293 305
- SECTION 17.5 EDIT A MACRO 306
- EXAMPLE – CONTROLLING 3PLAY 307
- CLIP_STORE 309
- CLIP_RESTORE 309
- CLIP_ SELECT 310
- CLIP_ MOVE 310
- CLIP_ PLAY 311
- CLIP_ SCRUB 311
- SECTION 17.7 REMOTE CONTROL 312
- STREAMING Chapter 18 315
- SECTION 18.1 OVERVIEW 316
- SECTION 18.2 WEB BROWSER 317
- FIGURE 300 318
- FIGURE 301 318
- FIGURE 302 319
- SECTION 18.4 AUDIO LEVEL 323
- ON DEMAND HOSTING 324
- LIVE STREAMING 324
- BANDWIDTH CONSIDERATIONS 325
- PULL BY END USERS 327
- PUSH TO PROVIDER 328
- OTHER FACTORS 331
- TESTING WITH PING 333
- FIGURE 303 334
- FIGURE 304 335
- FIGURE 305 335
- PULL CONNECTION ISSUES 336
- FIGURE 306 337
- SPEED TESTS 339
- PUBLISH Chapter 19 341
- FIGURE 308 342
- FIGURE 309 343
- FIGURE 310 343
- FIGURE 312 344
- FIGURE 311 344
- JPEG image file on upload 345
- FIGURE 314 346
- FIGURE 315 346
- UTO UPLOAD 347
- UBLISHING ISOCORDER™ CLIPS 347
- HARING GRABS 348
- HARING MEDIA PLAYER CONTENT 348
- FIGURE 316 348
- RECORD AND GRAB Chapter 20 349
- FIGURE 319 350
- FIGURE 318 350
- GLOBAL RECORDING OPTIONS 351
- BASENAME 351
- SYNC FRAMES FOR NLE 351
- PRIMARY RECORDING 352
- UBLISH QUEUE 353
- HARED OPTIONS 353
- FIGURE 323 353
- EFAULT ENCODING 354
- ALTERNATE FORMATS 354
- FIGURE 324 355
- PEEDHQ AVI 356
- ECONDARY RECORDINGS 356
- FIGURE 325 356
- SECTION 20.3 GRAB 357
- SECTION 21.1 LIVETEXT 359
- SECTION 21.2 SPEEDEDIT 361
- CONTROL SURFACES Chapter 22 367
- FIGURE 327 369
- WITCHER CONTROLS 371
- FIGURE 328 371
- PROGRAM AND PREVIEW 371
- DSK DELEGATE 372
- FIGURE 329 372
- FIGURE 330 372
- RANSITION BIN CONTROL 373
- & TRANS 374
- ERFORMING TRANSITIONS 374
- AIN T-BAR, TAKE AND AUTO 374
- OCAL TAKE & AUTO 374
- FIGURE 331 374
- M/E DELEGATE 375
- FOLLOW PVW 375
- LIVESET SHOT 377
- FIGURE 338 378
- OYSTICK DELEGATES 378
- FIGURE 339 378
- (SHUTTLE) 379
- ROT (ROTATE) 380
- MONITORING 381
- MEDIA PLAYER > DELEGATE 381
- PREV/NEXT PRESET 382
- MARK IN/OUT 382
- TRANSPORT CONTROL 382
- MEDIA PLAYER OPTIONS 383
- Control Operation 386
- Description 386
- AirSend Command 386
- FIGURE 344 388
- FIGURE 345 389
- FIGURE 346 390
- ROGRAM AND PREVIEW 391
- (UTILITY) ROW 391
- BUS DELEGATE 392
- FIGURE 348 392
- FIGURE 347 392
- TRANSITION DELEGATE 393
- M/E 393
- TRANSITION BIN CONTROL 393
- FADE & TRANS 394
- PERFORMING TRANSITIONS 395
- MAIN T-BAR, TAKE AND AUTO 395
- LOCAL TAKE/AUTO 395
- INPUT ROWS 396
- OVERLAY TRANSITIONS 397
- EY TRANSITION SETTINGS 397
- AKE, AUTO AND KEY 397
- IVESET ZOOM 397
- FIGURE 352 397
- POSITIONER DELEGATE 398
- OYSTICK MODES 400
- (ROTATE) 400
- MEDIA PLAYER DELEGATE 402
- FIGURE 356 406
- FX/OVERLAY ROW 407
- PROGRAM AND PREVIEW 408
- M/E 1 – M/E 4 408
- SHIFT 408
- FIGURE 360 409
- ALT AND SHIFT FUNCTIONS 410
- SHIFT FUNCTIONS 411
- SELECT AND RATE 411
- T-BAR INDICATORS 411
- SECTION 22.6 TIMEWARP™ 412
- Qualifiers 414
- Record 414
- FIGURE 363 415
- FIGURE 364 416
- ARK) IN 417
- FIGURE 365 417
- FIGURE 366 417
- ARK) OUT 418
- FIGURE 367 418
- ALT + OUT 419
- SHIFT + OUT 419
- ONE BUTTON MARKING 419
- FIGURE 370 420
- FIGURE 369 420
- FIGURE 371 421
- FIGURE 372 421
- NOTES 422
- FIGURE 373 425
- 22.7.4 PANEL LAYOUT 426
- FIGURE 375 427
- FIGURE 376 427
- FIGURE 377 428
- FIGURE 378 428
- MULTI-CHANNEL PAN CONTROL 429
- GAIN A AND B (MIC TRIM) 429
- FIGURE 381 430
- FIGURE 382 430
- FIGURE 384 431
- FIGURE 385 431
- FIGURE 383 431
- FIGURE 387 432
- FIGURE 386 432
- FIGURE 388 433
- FIGURE 389 434
- FIGURE 390 434
- SECTION 22.8 MIDI CONTROL 436
- SECTION 22.9 GPI CONTROLLERS 437
- CONFIGURATION 438
- LISTENING FOR GPI TRIGGERS 438
- SENDING GPI COMMANDS 439
- A HOW DO I … (?) 441
- Quicktime® 442
- Flash® (F4V) 442
- A.1 CONNECTIONS 444
- COMPUTER MONITOR 446
- SUPPLEMENTARY QUESTIONS: 446
- VIDEO MONITORS/DEVICES 447
- SUPPLEMENTARY QUESTION: 448
- A.2 SESSIONS 456
- A.3 LIVE PRODUCTION 460
- FIGURE 396 461
- FIGURE 397 461
- FIGURE 398 461
- FIGURE 399 464
- QUICKTIME® 467
- REMUXING CLIPS 468
- FLASH (F4V) 468
- A.4 FILES 471
- FIGURE 400 473
- UPPLEMENTARY QUESTION: 476
- TriCaster 479
- A.7 MISCELLANEOUS 482
- B.1 TESTING, ONE TWO … 489
- B.2 IVGA™ AND PERFORMANCE 489
- B.3 IMAG AND LATENCY 490
- C VIDEO CALIBRATION 495
- WAVEFORM MONITOR 497
- VECTORSCOPE 498
- USING COLOR BARS 499
- FIGURE 404 (NTSC) 500
- FIGURE 405 (PAL) 500
- FIGURE 406 500
- FIGURE 407 501
- FIGURE 408 503
- C.4 FURTHER READING 504
- D KEYSTROKE SHORTCUTS 505
- D.2 T-BAR 506
- D.3 RECORD, GRAB, AND STREAM 506
- D.4 TABS 506
- D.5 WORKSPACE 506
- D.6 DDR 1 507
- D.7 DDR 2 507
- D.8 GRAPHICS 1 507
- D.9 GRAPHICS 2 508
- D.10 SOUND 508
- D.11 GENERAL 509
- E DIMENSIONS AND MOUNTING 511
- FIGURE 410 512
- FIGURE 411 513
- FIGURE 412 514
- FIGURE 413 515
- FIGURE 414 515
- FIGURE 415 516
- FIGURE 416 516
- FIGURE 417 517
- F RELIABILITY TESTING 519
- YouTube®. See Share Media 526
- Zoom, 407 526
- CREDITS 527
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