Newtek TriCaster 8000 User Manual Page 246
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Component (a.k.a. ‘YUV’ or ‘Y, Pb, Pr’) – a three wire system typically using
BNC (push & twist-on) connectors.
For analog connections, either of the last two methods is to be preferred – but it is
entirely possible to succeed with only a composite signal. When you have
something better available, however, you should naturally use it. (Try to avoid
downgrading the pre-LiveMatte signal from a Y/C camera, for example, by
connecting it to your TriCaster using composite cabling.)
Hint: cameras using IEEE 1394 connection (such as mini-DV or HDV format) are not
supported as live switching sources, for several reasons. However they may often be
connected by Y/C cable (SD cameras only) or Component cabling. This configuration
may actually provide a better color rendition for keying purpose than if it were possible to
connect them by IEEE1394 cable.
- CONTENTS Chapter 1 3
- ABOUT THIS MANUAL Chapter 1 19
- INTRODUCTION Chapter 2 21
- SECTION 2.3 STARTUP SCREEN 22
- Monitoring 23
- Dashboard 23
- Live Control 23
- Tabbed Modules 23
- SECTION 2.5 FEATURES 24
- FIGURE 3 27
- VIDEO LAYERS AND TRANSITIONS 28
- DSK CHANNELS 29
- FIGURE 8 (TRICASTER 8000) 30
- FIGURE 9 32
- EXPORTING CONTENT 33
- FIGURE 10 34
- SETTING UP Chapter 3 37
- WINDOWS® 38
- FIGURE 12 39
- NHANCED SUPPORT (PROTEK) 41
- FIGURE 13 – TRICASTER 8000 42
- FIGURE 14 - TRICASTER 860 42
- FIGURE 15 – TRICASTER 460 43
- FIGURE 16 – TRICASTER 410 43
- FIGURE 17 – TRICASTER MINI 43
- TriCaster Mini 48
- SECTION 3.9 TALLY LIGHTS 51
- THE HOME PAGE 52
- HE SESSION PAGE 53
- FIGURE 20 53
- THE LIVE DESKTOP 54
- FIGURE 23 56
- FIGURE 25 57
- SECTION 3.13 CONFIGURE AUDIO 59
- FIGURE 28 60
- FIGURE 29 60
- UDIO HEADROOM 61
- FIGURE 30 61
- FIGURE 31 62
- FIGURE 32 63
- SECTION 3.16 NETWORKING 64
- FIGURE 34 66
- FIGURE 35 66
- FIGURE 36 67
- FIGURE 37 68
- FIGURE 38 68
- SECTION 4.4 MONITORING 69
- FIGURE 40 70
- FIGURE 41 70
- FIGURE 42 71
- FIGURE 43 72
- FIGURE 44 72
- FIGURE 45 73
- SECTION 4.5 AUDIO MIXER 74
- FIGURE 47 75
- FIGURE 48 76
- OLLOW VIDEO OPTIONS 78
- ® output, web pages 79
- FIGURE 49 80
- SECTION 4.7 LIVE SWITCHING 81
- VIDEO LAYERS 82
- Dashboard) 83
- CONFIGURING CAMERAS 83
- DSK SOURCES 84
- FIGURE 53 85
- FIGURE 54 86
- TRANSITIONS 87
- FIGURE 56 87
- FIGURE 55 87
- FIGURE 57 88
- FIGURE 58 89
- FIGURE 59 (BEFORE) 89
- LOOK AHEAD PREVIEW 90
- SECTION 4.8 RECORD AND GRAB 91
- FIGURE 62 92
- FIGURE 63 92
- FIGURE 64 93
- FIGURE 65 94
- SECTION 4.9 MEDIA PLAYERS 95
- TRANSPORT CONTROLS 96
- TRIMMING AND SCRUBBING 97
- SINGLE AND AUTOPLAY 98
- MEM SLOTS 99
- XPLORING AUTOPLAY AND SINGLE 101
- FIGURE 72 103
- FIGURE 73 104
- FIGURE 74 105
- FIGURE 75 105
- FIGURE 76 106
- FIGURE 77 107
- SECTION 4.11 MORE ABOUT M/ES 108
- FIGURE 79 109
- FIGURE 81 111
- FIGURE 82 112
- FIGURE 83 113
- SECTION 4.12 BUFFERS 114
- FIGURE 85 115
- FIGURE 86 115
- SECTION 4.13 STREAMING 116
- FIGURE 87 117
- FIGURE 88 117
- FIGURE 89 118
- FIGURE 90 118
- THE STARTUP SCREEN Chapter 5 123
- SECTION 5.2 THE HOME PAGE 126
- SESSION NAME 127
- TEMPLATE 127
- FIGURE 95 128
- CONTEXT MENU 129
- ESTORE SESSION BACKUP 130
- FIGURE 98 130
- PENING A SESSION 130
- ADMINISTRATOR MODE 131
- SYSTEM UTILITIES 132
- FIGURE 100 133
- SETTINGS 134
- SHUTDOWN 135
- SECTION 5.3 THE SESSION PAGE 136
- FIGURE 104 137
- FIGURE 105 137
- FIGURE 106 138
- FIGURE 107 139
- IMPORT MEDIA 140
- EXPORT MEDIA 141
- FIGURE 111 142
- ACKUP SESSION 144
- SECTION 6.2 OVERVIEW 148
- FIGURE 113 150
- FIGURE 114 151
- FIGURE 115 152
- THE DASHBOARD Chapter 7 153
- SECTION 7.1 FILE MENU 154
- SECTION 7.2 OPTIONS MENU 154
- SECTION 7.3 HELP 156
- I/O CONFIGURATION Chapter 8 159
- OUTPUTS 1 AND 2 161
- FIGURE 124 162
- LPHA MATTE 163
- FIGURE 125 163
- ENERAL NOTES 164
- FIGURE 126 165
- ISPLAY OUTPUTS 165
- FIGURE 127 165
- LCD screen 166
- REFERENCE TYPE 168
- FIGURE 130 169
- 480/30i (SDI) 172
- FIGURE 133 (TRICASTER 8000) 174
- FIGURE 132 174
- FIGURE 134 175
- FIGURE 135 176
- FIGURE 136 177
- FIGURE 138 179
- ADJUSTING TOLERANCE 180
- SMOOTHNESS 181
- LIMIT TO REGION 181
- FIGURE 143 182
- FIGURE 144 182
- SECTION 8.3 NETWORK INPUTS 183
- Windows® Desktop 184
- FIGURE 148 185
- FIGURE 149 185
- FIGURE 150 185
- SECTION 9.1 SWITCHER ROWS 187
- TriCaster 8000 only 189
- • Program 189
- • Preview 189
- SECTION 9.3 TRANSITIONS 190
- ONFIGURING TRANSITIONS 191
- FIGURE 155 191
- NIMATION STORE TRANSITIONS 192
- FIGURE 156 192
- FIGURE 157 192
- DSK POSITIONING 193
- FIGURE 160 194
- FIGURE 161 194
- FOLLOW TRACKER 195
- DSK TRANSPARENCY 195
- BACKGROUND TRANSITION 196
- TRANSITION DELEGATES 197
- FIGURE 167 199
- AKE AND AUTO 199
- FIGURE 168 200
- FIGURE 169 201
- FIGURE 170 201
- VIEWPORT OPTIONS 202
- FIGURE 174 203
- FIGURE 173 203
- FIGURE 175 204
- FIGURE 176 204
- SECTION 10.2 PROGRAM MONITOR 205
- FIGURE 178 206
- M/E MONITORS AND PREVIEW 207
- SECTION 10.4 SCOPES 208
- FIGURE 182 209
- FIGURE 183 211
- SECTION 11.2 SHARED FEATURES 212
- FIGURE 185 213
- FILE OPERATIONS 214
- ISPLAY NAME 215
- UDIO LEVEL 215
- SE FRAME AS THUMBNAIL 215
- FIGURE 186 215
- FIGURE 187 216
- FIGURE 188 216
- ALPHA CHANNEL SUPPORT 217
- 11.2.2 MEDIA BROWSER 217
- OCATION LIST 218
- ESSION RECORDINGS AND GRABS 218
- FIGURE 190 218
- FILE PANE 219
- FILE FILTERS 219
- FILE CONTEXT MENU 219
- FIGURE 193 220
- IME DISPLAY 220
- FIGURE 195 220
- FIGURE 194 220
- RANSPORT CONTROLS 221
- UTOPLAY 221
- FIGURE 196 221
- FIGURE 197 222
- PREVIEWING MEM SLOTS 223
- FIGURE 198 225
- FIGURE 199 225
- SAVE AND DUPLICATE 226
- STAND-IN IMAGES 226
- SECTION 11.4 BUFFERS 227
- FIGURE 203 229
- FIGURE 204 229
- FIGURE 205 229
- FIGURE 206 230
- FIGURE 207 231
- FIGURE 208 231
- FIGURE 209 234
- PTZ CONTROL Chapter 12 235
- FIGURE 211 236
- FIGURE 212 236
- CAMERA SETTINGS 237
- LIVEMATTE Chapter 13 239
- SECTION 13.1 CHROMAKEYING 240
- SECTION 13.2 MATTE 240
- FIGURE 217 241
- SECTION 13.4 COMPOSITING 243
- SECTION 13.5 FINE TUNING 243
- SECTION 14.1 OVERVIEW 247
- SECTION 14.2 M/E MODES 248
- FIGURE 222 249
- FIGURE 224 250
- FIGURE 225 250
- FIGURE 226 251
- FIGURE 227 252
- FIGURE 228 253
- UTILITIES 254
- FIGURE 233 255
- FIGURE 231 255
- FIGURE 232 255
- FIGURE 234 256
- PHOTOSHOP BLEND 257
- FIGURE 238 258
- NPUT POSITION 259
- HOTS AND ANIMATION 259
- FIGURE 239 259
- EFFECT PRESET EDITOR 260
- THE T-BAR 261
- FIGURE 245 262
- FIGURE 244 262
- SECTION 14.3 KEY CHANNELS 263
- AUDIO Chapter 15 265
- SECTION 15.2 HEADPHONES 266
- FIGURE 250 267
- FIGURE 251 267
- SECTION 15.5 COMMON CONTROLS 268
- FIGURE 253 269
- AUDITIONING AN AUDIO SOURCE 270
- FIGURE 255 271
- FIGURE 256 272
- FIGURE 257 273
- FIGURE 258 273
- BUSSES AND OUTPUTS 274
- FIGURE 260 276
- FIGURE 261 276
- SUB-MIXES AND ‘MIX MINUS’ 277
- EQUALIZER 278
- COMPRESSOR LIMITER 279
- THRESHOLD 280
- RELEASE 280
- FIGURE 263 281
- SECTION 15.9 MEM SLOT BINS 283
- NETWORK INPUTS Chapter 16 285
- SECTION 16.1 IVGA 286
- FIGURE 266 287
- FIGURE 267 287
- FIGURE 268 288
- THE CONTROL PANEL 289
- DESTINATION 289
- ECORDING 290
- UALITY (CONFIGURE) 290
- FIGURE 271 290
- VIDEO SOURCE 291
- UDIO SOURCE 292
- SEND/RECORD/STOP 293
- SECTION 16.2 AIRPLAY 294
- SECTION 16.3 LIVETEXT 295
- SECTION 16.4 3PLAY™ 296
- SECTION 16.5 NETWORK VIDEO 296
- FIGURE 280 297
- FIGURE 281 297
- FIGURE 282 297
- CONTROL 299
- SECTION 17.1 SYSTEM MACROS 300
- RECORDING MACROS 301
- SECTION 17.3 MANAGING MACROS 302
- FIGURE 290 303
- FIGURE 291 304
- FIGURE 292 304
- FIGURE 293 305
- SECTION 17.5 EDIT A MACRO 306
- EXAMPLE – CONTROLLING 3PLAY 307
- CLIP_STORE 309
- CLIP_RESTORE 309
- CLIP_ SELECT 310
- CLIP_ MOVE 310
- CLIP_ PLAY 311
- CLIP_ SCRUB 311
- SECTION 17.7 REMOTE CONTROL 312
- STREAMING Chapter 18 315
- SECTION 18.1 OVERVIEW 316
- SECTION 18.2 WEB BROWSER 317
- FIGURE 300 318
- FIGURE 301 318
- FIGURE 302 319
- SECTION 18.4 AUDIO LEVEL 323
- ON DEMAND HOSTING 324
- LIVE STREAMING 324
- BANDWIDTH CONSIDERATIONS 325
- PULL BY END USERS 327
- PUSH TO PROVIDER 328
- OTHER FACTORS 331
- TESTING WITH PING 333
- FIGURE 303 334
- FIGURE 304 335
- FIGURE 305 335
- PULL CONNECTION ISSUES 336
- FIGURE 306 337
- SPEED TESTS 339
- PUBLISH Chapter 19 341
- FIGURE 308 342
- FIGURE 309 343
- FIGURE 310 343
- FIGURE 312 344
- FIGURE 311 344
- JPEG image file on upload 345
- FIGURE 314 346
- FIGURE 315 346
- UTO UPLOAD 347
- UBLISHING ISOCORDER™ CLIPS 347
- HARING GRABS 348
- HARING MEDIA PLAYER CONTENT 348
- FIGURE 316 348
- RECORD AND GRAB Chapter 20 349
- FIGURE 319 350
- FIGURE 318 350
- GLOBAL RECORDING OPTIONS 351
- BASENAME 351
- SYNC FRAMES FOR NLE 351
- PRIMARY RECORDING 352
- UBLISH QUEUE 353
- HARED OPTIONS 353
- FIGURE 323 353
- EFAULT ENCODING 354
- ALTERNATE FORMATS 354
- FIGURE 324 355
- PEEDHQ AVI 356
- ECONDARY RECORDINGS 356
- FIGURE 325 356
- SECTION 20.3 GRAB 357
- SECTION 21.1 LIVETEXT 359
- SECTION 21.2 SPEEDEDIT 361
- CONTROL SURFACES Chapter 22 367
- FIGURE 327 369
- WITCHER CONTROLS 371
- FIGURE 328 371
- PROGRAM AND PREVIEW 371
- DSK DELEGATE 372
- FIGURE 329 372
- FIGURE 330 372
- RANSITION BIN CONTROL 373
- & TRANS 374
- ERFORMING TRANSITIONS 374
- AIN T-BAR, TAKE AND AUTO 374
- OCAL TAKE & AUTO 374
- FIGURE 331 374
- M/E DELEGATE 375
- FOLLOW PVW 375
- LIVESET SHOT 377
- FIGURE 338 378
- OYSTICK DELEGATES 378
- FIGURE 339 378
- (SHUTTLE) 379
- ROT (ROTATE) 380
- MONITORING 381
- MEDIA PLAYER > DELEGATE 381
- PREV/NEXT PRESET 382
- MARK IN/OUT 382
- TRANSPORT CONTROL 382
- MEDIA PLAYER OPTIONS 383
- Control Operation 386
- Description 386
- AirSend Command 386
- FIGURE 344 388
- FIGURE 345 389
- FIGURE 346 390
- ROGRAM AND PREVIEW 391
- (UTILITY) ROW 391
- BUS DELEGATE 392
- FIGURE 348 392
- FIGURE 347 392
- TRANSITION DELEGATE 393
- M/E 393
- TRANSITION BIN CONTROL 393
- FADE & TRANS 394
- PERFORMING TRANSITIONS 395
- MAIN T-BAR, TAKE AND AUTO 395
- LOCAL TAKE/AUTO 395
- INPUT ROWS 396
- OVERLAY TRANSITIONS 397
- EY TRANSITION SETTINGS 397
- AKE, AUTO AND KEY 397
- IVESET ZOOM 397
- FIGURE 352 397
- POSITIONER DELEGATE 398
- OYSTICK MODES 400
- (ROTATE) 400
- MEDIA PLAYER DELEGATE 402
- FIGURE 356 406
- FX/OVERLAY ROW 407
- PROGRAM AND PREVIEW 408
- M/E 1 – M/E 4 408
- SHIFT 408
- FIGURE 360 409
- ALT AND SHIFT FUNCTIONS 410
- SHIFT FUNCTIONS 411
- SELECT AND RATE 411
- T-BAR INDICATORS 411
- SECTION 22.6 TIMEWARP™ 412
- Qualifiers 414
- Record 414
- FIGURE 363 415
- FIGURE 364 416
- ARK) IN 417
- FIGURE 365 417
- FIGURE 366 417
- ARK) OUT 418
- FIGURE 367 418
- ALT + OUT 419
- SHIFT + OUT 419
- ONE BUTTON MARKING 419
- FIGURE 370 420
- FIGURE 369 420
- FIGURE 371 421
- FIGURE 372 421
- NOTES 422
- FIGURE 373 425
- 22.7.4 PANEL LAYOUT 426
- FIGURE 375 427
- FIGURE 376 427
- FIGURE 377 428
- FIGURE 378 428
- MULTI-CHANNEL PAN CONTROL 429
- GAIN A AND B (MIC TRIM) 429
- FIGURE 381 430
- FIGURE 382 430
- FIGURE 384 431
- FIGURE 385 431
- FIGURE 383 431
- FIGURE 387 432
- FIGURE 386 432
- FIGURE 388 433
- FIGURE 389 434
- FIGURE 390 434
- SECTION 22.8 MIDI CONTROL 436
- SECTION 22.9 GPI CONTROLLERS 437
- CONFIGURATION 438
- LISTENING FOR GPI TRIGGERS 438
- SENDING GPI COMMANDS 439
- A HOW DO I … (?) 441
- Quicktime® 442
- Flash® (F4V) 442
- A.1 CONNECTIONS 444
- COMPUTER MONITOR 446
- SUPPLEMENTARY QUESTIONS: 446
- VIDEO MONITORS/DEVICES 447
- SUPPLEMENTARY QUESTION: 448
- A.2 SESSIONS 456
- A.3 LIVE PRODUCTION 460
- FIGURE 396 461
- FIGURE 397 461
- FIGURE 398 461
- FIGURE 399 464
- QUICKTIME® 467
- REMUXING CLIPS 468
- FLASH (F4V) 468
- A.4 FILES 471
- FIGURE 400 473
- UPPLEMENTARY QUESTION: 476
- TriCaster 479
- A.7 MISCELLANEOUS 482
- B.1 TESTING, ONE TWO … 489
- B.2 IVGA™ AND PERFORMANCE 489
- B.3 IMAG AND LATENCY 490
- C VIDEO CALIBRATION 495
- WAVEFORM MONITOR 497
- VECTORSCOPE 498
- USING COLOR BARS 499
- FIGURE 404 (NTSC) 500
- FIGURE 405 (PAL) 500
- FIGURE 406 500
- FIGURE 407 501
- FIGURE 408 503
- C.4 FURTHER READING 504
- D KEYSTROKE SHORTCUTS 505
- D.2 T-BAR 506
- D.3 RECORD, GRAB, AND STREAM 506
- D.4 TABS 506
- D.5 WORKSPACE 506
- D.6 DDR 1 507
- D.7 DDR 2 507
- D.8 GRAPHICS 1 507
- D.9 GRAPHICS 2 508
- D.10 SOUND 508
- D.11 GENERAL 509
- E DIMENSIONS AND MOUNTING 511
- FIGURE 410 512
- FIGURE 411 513
- FIGURE 412 514
- FIGURE 413 515
- FIGURE 414 515
- FIGURE 415 516
- FIGURE 416 516
- FIGURE 417 517
- F RELIABILITY TESTING 519
- YouTube®. See Share Media 526
- Zoom, 407 526
- CREDITS 527
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